MYARTS

  • ÀÛ°¡¸í : Á¤½ÂÀÏ, µð¾Æº»  Inkjet Print 39 x 52cm 2007
  • ÀÛÇ°À» Ŭ¸¯ÇϽøé Å« È­¸éÀ¸·Î °¨»óÇÏ½Ç ¼ö ÀÖ½À´Ï´Ù.
ÀÛ°¡³ëÆ®
2006-2013³â »çÀÌ¿¡ µ¶ÀÏ¿¡¼­ È°µ¿Çϸç Á¦ÀÛÇß´ø ÀÛÇ°µé°ú ¼ÛÀº ¾ÆƮťºê °³ÀÎÀüÀ» °è±â·Î ÀÛ¾÷ÇÑ 2015³â ½ÅÀÛÀ» ÇÔ²² ¼Ò°³ÇÏ´Â Çѱ¹¿¡¼­ÀÇ Ã¹ °³ÀÎÀüÀÌ´Ù. ÀÌ µµ·ÏÀº ½ÅÀÛ¿¡ ÃÊÁ¡À» µÎ¾î Á¦À۵Ǿú´Ù.

¿©´À °³ÀÎÀüÀÌ ÀÛ°¡ÀÇ ±âÁ¸ÀÛÀ̳ª ½ÅÀÛÀ» °¡Áö°í Àü½ÃÇÏ´Â °Í¸¸À¸·ÎÀÇ Àü½ÃÀ̱⵵ ÇÏÁö¸¸, ÀÌ¿¡¼­ Á¶±Ý ´õ ±íÀº Àǹ̷Πµé¾î°¡, ¼ÛÀº ¾ÆƮťºê °³ÀÎÀü Áö¿øÀÌ ¾îµð·ÎºÎÅÍ, ¾î¶°ÇÑ ÀÌÀ¯¿¡¼­ ÇÏ´Â °ÍÀÎÁö ¿¬°ü¼ºÀ» ÆľÇÇÏ°í, ±× Àǵµ¸¦ º»ÀÎÀÇ Àü½Ã¿Í ¿¬°áÁþ´Â ÇÁ·ÎÁ§Æ®¸¦ ±¸»óÇÏ´Â µ¥¿¡¼­ ÀÛ¾÷ÀÌ »ý°Ü³µ´Ù.

´ÙÀ½ÀÇ ³»¿ëµéÀ» ¸®¼­Ä¡¸¦ ÅëÇØ ¾Ë¾Æ³»¾ú´Ù.
Àç´Ü¹ýÀÎ ¼ÛÀº¹®È­Àç´ÜÀº ÁÖ½Äȸ»ç »ïź(ÏÁ »ïôźÁ°³¹ß)¿¡¼­ ¼³¸³ÇÑ ¹®È­Àç´ÜÀÌ´Ù. ÀÌ´Â °í(ͺ) ¼ÛÀº(áæëß) À¯¼º¿¬ ¸í¿¹È¸ÀåÀÌ °¡Á¤ÇüÆíÀ¸·Î ÀÎÇØ ÀÌ·çÁö ¸øÇÑ È­°¡ÀÇ ²ÞÀ» ÈÄ´ëÀÇ ¿¹¼úÀÎÀçµéÀÌ °°Àº ÀÌÀ¯·Î ²ÞÀ» Á¢´Â ÀÏÀÌ ¾ø¾úÀ¸¸é ÇÏ´Â ¹Ù·¥À¸·Î »çÀ縦 °¡Áö°í ¼³¸³ÇÑ ¹®È­Àç´ÜÀÌ´Ù. ±×·¸±â ¶§¹®¿¡ Àå¼ÒÀû ÀÌÀ¯·Î´Â »ïźºôµù¿¡ ¼ÛÀº¾ÆƮťºê°¡ ÀÖ´Â °ÍÀÌ´Ù. ÀÌ ³»¿ëÀÌ ÀÛ¾÷°ú Á¶±Ý ´õ ¹ÐÁ¢ÇÑ ¿¬°ü¼ºÀ» °¡Áöµµ·Ï Çϱâ À§ÇØ (ÁÖ)»ïźÀÌ ¾î¶² ÀÏÀ» ÇÏ´Â ±â¾÷ÀÎÁö Á¶»çÇß°í, À̸¦ ÀÛ¾÷ÀÇ ¼ÒÀç·Î ´Ù·ç±â À§ÇØ, ÁÖ¿ä »ç¾÷ÀÇ ±Ù°Å°¡ µÇ´Â ¡®¼®Åº¡¯À» ÀÛ¾÷ÀÇ Àç·á·Î ÀÌ¿ëÇÏ·Á´Â »ý°¢¿¡ À̸£°Ô µÇ¾ú´Ù. (ÁÖ)»ïźÀº ÀÌ·¯ÇÑ ³»¿ëÀ» ÀÛ¾÷À¸·Î ´Ù·ç°í ½Í¾îÇÏ´Â ÇÁ·ÎÁ§Æ®¿¡ ´ëÇØ Èï¹Ì¸¦ ´À²¸, ÀÛ°¡ÀÇ ¼®Åº Áö¿ø ÀÇ·Ú¿¡ ´ëÇÑ ÀÀ´äÀ¸·Î »ç³»¿¡ º¸À¯ÇÏ°í ÀÖ´ø ¼®Åº ¿ø¼®À» Á¦°øÇÏ¿´´Ù.

ÀÌ ÀÛ¾÷Àº ¡®µ¢¾î¸®·ÎºÎÅÍ ¸éÀ¸·ÎÀÇ ÇØü¡¯ ¿¡ °üÇÑ °ÍÀÌ´Ù. À°¸éü¿¡ °¡±î¿î ¼®Åº ¿ø¼® µ¢¾î¸®¸¦, »çÁøÀ̶ó´Â Ç¥Çö¼ö´ÜÀ» ÅëÇØ ¿©¼¸ °³ÀÇ ¸éÀ¸·Î ºÐÇÒÇÏ¿´´Ù. ÇÑ °³ÀÇ µ¢¾î¸®¿¡¼­ ÆÄ»ýµÈ ¿©¼¸ °³ÀÇ À̹ÌÁöµéÀº °¢±â ´Ù¸¥ ÁöÆò¸éÀ¸·Î È®ÀåµÈ´Ù. ÀÌ À̹ÌÁöµéÀº °¨»óÀÚÀÇ »ý°¢µé°ú ¿¬°áµÇ¾î ¼ö¸¹Àº À̾߱âµé·Î Çؼ®µÈ´Ù.

From the Essence is my solo exhibition held in Korea. The collection shown are selected works during my residency in Germany from 2006 to 2013 along with my new works especially prepared for the SongEun ArtCube exhibition. This brochure is largely focused on my newly showcased works.

It is usual for a solo exhibit to consist of previous and/or new works of an artist, but for this particular exhibition, I went a little bit further. The idea for this exhibition began with the investigation into how and why a solo exhibition of SongEun ArtCube gets funded, and precisely from where the funds originate, and incorporated this information into my project.

What I found, was the following:
The SongEun Art and Cultural Foundation is founded by Samtan Co., Ltd. (previously known as Samcheok Tanjwa Development). The late Honorary Chairman of Samtan Mr. Sung-Yeon Yoo, also known under his nom de plume SongEun, had to give up his dream of being an artist as a young man due to his family¡¯s financial hardships. Much later in his life, when Mr. Yoo become a prominent businessman, he began the foundation with his private funds in hopes of helping talented and promising artists of Korea fulfill their dreams. An opportunity Mr. Yoo, himself never got. Therefore, for obvious reasons, the SongEun ArtCube is located in the Samtan building. In order to take a closer look and find a more intimate connection to my project, I delved into the nature of Samtan Co., Inc., which led to his idea to use coal - Samtan¡¯s main line of business - as the subject for my work. Samtan was certainly interested in my project using coal, and was more than happy to provide the rough coal per the artist¡¯s request.

I took a hexagonally shaped rough coal lump and dissolved the mass into six surfaces using the expressive medium of photography. The work involves the ¡°dismantling of a lump into surfaces¡±, from which six images derived and become interpreted into an endless number of stories when met with the imagination and minds of viewers.

Á¢±â

'Á¤½ÂÀÏ' ÀÛ°¡ÀÇ ´Ù¸¥ÀÛÇ°
°øÀ¯Çϱâ

MYARTS